Austin has always neglected its budding hip-hop scene. Even with promotions and production companies such as ScoreMore Shows which was recently sold to Live Nation, the local “scene” in Austin is faced with a lackluster interest. The truth is that local event producers and bookers don’t often celebrate the hip-hop scene that is trying to break through the masses of indie-rock and indie-pop bands that saturate the market. Recently, however, a new festival is attempting to answer the question “Where’s ATX hip-hop?”
Photo by Rebecca Mendoza. Saturday evening, the cloudless sky was a muted blue and a partial moon floated casually above the stage. The crowd was attentive to both their beer and the bands and sat […]
In the Fifth Street reiteration of Clifford Antone’s legacy venue, embellished with a bright glowing sign of his name, one can find the glowing blue hearts of everyone from the American youth to daringly brave musicians who rule the stage in rock ‘n’ roll terror.
Sound On Sound (SOS) Fest returns November 10-12 to the expansive 23-acre Sherwood Forest in McDade, Texas this year with some stellar, heavy-hitting artists. On Vinyl’s favorite production company, Margin Walker Presents, is bringing back the festival for an even bigger and better experience that starts with their power lineup and ends with their curation of vendors and sponsors.
SXSW is my favorite unofficial holiday every year. There’s nothing better than waiting for the SX schedule to drop like a child waiting for Santa to come down the chimney with mad gifts during Christmas. While there was talk of a SX scale-down, it was hard to notice when my calendar was blotched with calendar invites to official and unofficial shows and sessions for every half-hour block for ten days straight. My Christmas finally arrived. Here are my SXSW journal passages and records of some of the “gifts” that I got this year at SXSW 2017.
My favorite SoCo Hotel valet boy greets me as I hurriedly step out of my car for my next meeting. They know it’s me because I drive the same dusty SUV with Texas music plates around to them nearly every day and I probably look like a mad woman who parks there four times a day. Then I see Ian Cochran–he’s the only reason why I’m always on-time to any of my meetings rather than driving around trying to find parking on South Congress. And my favorite part about him? No, not his full beard or Austin-y man bun–though I do like, I do! It’s the fact that when I don’t see him at the South Congress Hotel, I can see him after work hours at HandleBar with his cowboy rock band.
There’s a certain strength of character that all Houstonians, including myself, embody. Though previously intangible, it’s the sort of raw grit–and a subtle darkness–that was finally uncovered at Houston’s second annual Day for Night Festival.
This week, OV Recommends “Seduced By Sound.” This local Austin anthology is comprised of 100 local up-and-coming or already established Austin musicians and is produced by Weeva and curated by Carly Wolf, frontwoman of the Ghost Wolves.
It’s December and the holiday season nears. Not only do I love this month, but the excitement that captures me when I think about returning to the city that birthed me expresses itself through an infinite amount of heart-born glee which radiates through my eyes at the thought of every small December miracle.
The best miracle of all: Day for Night Festival. In its second year, the festival makes a comeback, promising an immersive landscape of music and art.